
Orbit Culture - Death Above Life (LP)
ORBIT CULTURE is a band in balance. The Swedish quartetâs Century Media debut, Death Above Life, is not only a statement of how far the band has come, but also the sound of metal in its most modern sense. âThis record represents change, a new beginning,â says Niklas Karlsson, guitarist, vocalist, and songwriter of ORBIT CULTURE. âIt evokes many good and bad emotions, but itâs a big change for the better. It feels like a rebirth.â
From the scorching opener âInfernaâ to the tight title track and the elegiac closer âThe Path I Walkâ, one thing is clear: ORBIT CULTURE is at the top of their game. Beyond their DIY ethos and uncompromising, unsettling, dark visuals, Karlsson credits his love of soundtracks and cinematic soundscapes as a major influence on ORBIT CULTUREâs sound and vision. Composers such as Hans Zimmer (Dune, Interstellar) and Howard Shore (Lord of the Rings) have had a huge impact on the band. âMuch more than any metal being written today,â Niklas says. âAll of us would rather listen to the soundtrack of Inception. Itâs timeless. When I get stuck while writing, those tools and inspirations are there â whether itâs cellos or pianos adding texture. We write very simple riffs and structures, so by drawing on someone like Hans Zimmer, we can make the ending of a track like âInfernaâ bigger and more cinematic.â
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanity's Last Breath, Thrown), Death Above Life is a statement for metal: both present and future. It also marks a crucial next step for ORBIT CULTURE, as they continue to define themselves and metal as a whole. âWe play metal,â says Karlsson. âWe have influences from djent, metalcore, and melodic death metal. We stay true to ourselves, and I think people are hungry for that.â
Original: $59.87
-65%$59.87
$20.95Orbit Culture - Death Above Life (LP)
ORBIT CULTURE is a band in balance. The Swedish quartetâs Century Media debut, Death Above Life, is not only a statement of how far the band has come, but also the sound of metal in its most modern sense. âThis record represents change, a new beginning,â says Niklas Karlsson, guitarist, vocalist, and songwriter of ORBIT CULTURE. âIt evokes many good and bad emotions, but itâs a big change for the better. It feels like a rebirth.â
From the scorching opener âInfernaâ to the tight title track and the elegiac closer âThe Path I Walkâ, one thing is clear: ORBIT CULTURE is at the top of their game. Beyond their DIY ethos and uncompromising, unsettling, dark visuals, Karlsson credits his love of soundtracks and cinematic soundscapes as a major influence on ORBIT CULTUREâs sound and vision. Composers such as Hans Zimmer (Dune, Interstellar) and Howard Shore (Lord of the Rings) have had a huge impact on the band. âMuch more than any metal being written today,â Niklas says. âAll of us would rather listen to the soundtrack of Inception. Itâs timeless. When I get stuck while writing, those tools and inspirations are there â whether itâs cellos or pianos adding texture. We write very simple riffs and structures, so by drawing on someone like Hans Zimmer, we can make the ending of a track like âInfernaâ bigger and more cinematic.â
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanity's Last Breath, Thrown), Death Above Life is a statement for metal: both present and future. It also marks a crucial next step for ORBIT CULTURE, as they continue to define themselves and metal as a whole. âWe play metal,â says Karlsson. âWe have influences from djent, metalcore, and melodic death metal. We stay true to ourselves, and I think people are hungry for that.â
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ORBIT CULTURE is a band in balance. The Swedish quartetâs Century Media debut, Death Above Life, is not only a statement of how far the band has come, but also the sound of metal in its most modern sense. âThis record represents change, a new beginning,â says Niklas Karlsson, guitarist, vocalist, and songwriter of ORBIT CULTURE. âIt evokes many good and bad emotions, but itâs a big change for the better. It feels like a rebirth.â
From the scorching opener âInfernaâ to the tight title track and the elegiac closer âThe Path I Walkâ, one thing is clear: ORBIT CULTURE is at the top of their game. Beyond their DIY ethos and uncompromising, unsettling, dark visuals, Karlsson credits his love of soundtracks and cinematic soundscapes as a major influence on ORBIT CULTUREâs sound and vision. Composers such as Hans Zimmer (Dune, Interstellar) and Howard Shore (Lord of the Rings) have had a huge impact on the band. âMuch more than any metal being written today,â Niklas says. âAll of us would rather listen to the soundtrack of Inception. Itâs timeless. When I get stuck while writing, those tools and inspirations are there â whether itâs cellos or pianos adding texture. We write very simple riffs and structures, so by drawing on someone like Hans Zimmer, we can make the ending of a track like âInfernaâ bigger and more cinematic.â
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanity's Last Breath, Thrown), Death Above Life is a statement for metal: both present and future. It also marks a crucial next step for ORBIT CULTURE, as they continue to define themselves and metal as a whole. âWe play metal,â says Karlsson. âWe have influences from djent, metalcore, and melodic death metal. We stay true to ourselves, and I think people are hungry for that.â










