
Melissa Aldana - Filin (LP)
Tenor saxophonist Melissa Aldanaâs third Blue Note album, Filin, is a ballad album featuring new versions of songs from Cubaâs Filin music tradition. This popular style from the 1940s to 1960s was strongly influenced by American musicians such as Nat King Cole. The album title is a homophone of the word âfeelinâ.â
Deeply felt performances showcase Aldana alongside a remarkable quartet consisting of Cuban pianist Gonzalo Rubalcaba, Peter Washington on bass, and Kush Abadey on drums, with guest vocalist CĂ©cile McLorin Salvant appearing on two tracks. The band also performs pieces by Brazilian composers Hermeto Pascoal (âLittle Churchâ) and Cartola (âLas Rosas No Hablanâ).
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Melissa Aldana - Filin (LP)
Tenor saxophonist Melissa Aldanaâs third Blue Note album, Filin, is a ballad album featuring new versions of songs from Cubaâs Filin music tradition. This popular style from the 1940s to 1960s was strongly influenced by American musicians such as Nat King Cole. The album title is a homophone of the word âfeelinâ.â
Deeply felt performances showcase Aldana alongside a remarkable quartet consisting of Cuban pianist Gonzalo Rubalcaba, Peter Washington on bass, and Kush Abadey on drums, with guest vocalist CĂ©cile McLorin Salvant appearing on two tracks. The band also performs pieces by Brazilian composers Hermeto Pascoal (âLittle Churchâ) and Cartola (âLas Rosas No Hablanâ).
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Tenor saxophonist Melissa Aldanaâs third Blue Note album, Filin, is a ballad album featuring new versions of songs from Cubaâs Filin music tradition. This popular style from the 1940s to 1960s was strongly influenced by American musicians such as Nat King Cole. The album title is a homophone of the word âfeelinâ.â
Deeply felt performances showcase Aldana alongside a remarkable quartet consisting of Cuban pianist Gonzalo Rubalcaba, Peter Washington on bass, and Kush Abadey on drums, with guest vocalist CĂ©cile McLorin Salvant appearing on two tracks. The band also performs pieces by Brazilian composers Hermeto Pascoal (âLittle Churchâ) and Cartola (âLas Rosas No Hablanâ).








