
Bianca Scout - Pattern Damage
Muzzing the membranes between chamber music, contemporary dance, dark pop and ethereal ambience, Klein, Mica Levi and Space Afrika collaborator Bianca Scout distills a decade of multidisciplinary work at the service of her maziest, most enchanted album, moving between diaristic ephemera, demure post-punk and chamber ambient, and cracking open bewildering crypto-romantique wormholes in the process. A triple threat dancer/musician/performer, Bianca Scout has been a shapeshifting presence and connective tissue between alternative experimental and pop musicks since her self-released debut album and guest spots on early Klein sides in the mid 2010s. Following duties with her own industrial pop duo Marina Zispin, āPattern Damageā is her absorbing 5th solo side, breezily vacillating the song-structured and etheric aspects of her sound around themes of technocratic dystopia and chopped ān screwed sacred music in a manner that resonates with works by James Ferraro, Teresa Winter, Mica Leviās London Sinfonietta cut-ups, and, of course, her longtime spar Klein. It sits well in the Sferic catalogue too, with a gauzily smudged, late night appeal mutual to her labelmates and which resonates the urbane ennui of their wallpaper music for tarnished new builds. In āPattern Damageā, more than ever, we hear Scout pulling extra-musical influences into her arrangements. The freely metered pace and space of theatrical staging and choreography for dance offers a guiding hand to her process. Together with another āmovement artistā-turned-musician Malik Nashad Sharpe aka Darkmarik who appears on scene-setter āForest Spiritā and later in āAlmost Nothingā, and with fellow dancer Kendra Chiagoro-Noel aka NWAKKE chiming into āPassageā - a flip of Allegriās āMiserere Mei Deusā - Scout flits quick, then slow, between passages of febrility and elegance, melancholy and reflection. Bristol's Mun Sing helps out on 'Midnight', a heart-piercing serenade that's led by detuned guitar twangs and Scout's lilting, clipped voice, providing one of the album's most intimate moments, primed for extended play on the back of heavy eyelids.
Bianca Scout - Pattern Damage
Muzzing the membranes between chamber music, contemporary dance, dark pop and ethereal ambience, Klein, Mica Levi and Space Afrika collaborator Bianca Scout distills a decade of multidisciplinary work at the service of her maziest, most enchanted album, moving between diaristic ephemera, demure post-punk and chamber ambient, and cracking open bewildering crypto-romantique wormholes in the process. A triple threat dancer/musician/performer, Bianca Scout has been a shapeshifting presence and connective tissue between alternative experimental and pop musicks since her self-released debut album and guest spots on early Klein sides in the mid 2010s. Following duties with her own industrial pop duo Marina Zispin, āPattern Damageā is her absorbing 5th solo side, breezily vacillating the song-structured and etheric aspects of her sound around themes of technocratic dystopia and chopped ān screwed sacred music in a manner that resonates with works by James Ferraro, Teresa Winter, Mica Leviās London Sinfonietta cut-ups, and, of course, her longtime spar Klein. It sits well in the Sferic catalogue too, with a gauzily smudged, late night appeal mutual to her labelmates and which resonates the urbane ennui of their wallpaper music for tarnished new builds. In āPattern Damageā, more than ever, we hear Scout pulling extra-musical influences into her arrangements. The freely metered pace and space of theatrical staging and choreography for dance offers a guiding hand to her process. Together with another āmovement artistā-turned-musician Malik Nashad Sharpe aka Darkmarik who appears on scene-setter āForest Spiritā and later in āAlmost Nothingā, and with fellow dancer Kendra Chiagoro-Noel aka NWAKKE chiming into āPassageā - a flip of Allegriās āMiserere Mei Deusā - Scout flits quick, then slow, between passages of febrility and elegance, melancholy and reflection. Bristol's Mun Sing helps out on 'Midnight', a heart-piercing serenade that's led by detuned guitar twangs and Scout's lilting, clipped voice, providing one of the album's most intimate moments, primed for extended play on the back of heavy eyelids.
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Muzzing the membranes between chamber music, contemporary dance, dark pop and ethereal ambience, Klein, Mica Levi and Space Afrika collaborator Bianca Scout distills a decade of multidisciplinary work at the service of her maziest, most enchanted album, moving between diaristic ephemera, demure post-punk and chamber ambient, and cracking open bewildering crypto-romantique wormholes in the process. A triple threat dancer/musician/performer, Bianca Scout has been a shapeshifting presence and connective tissue between alternative experimental and pop musicks since her self-released debut album and guest spots on early Klein sides in the mid 2010s. Following duties with her own industrial pop duo Marina Zispin, āPattern Damageā is her absorbing 5th solo side, breezily vacillating the song-structured and etheric aspects of her sound around themes of technocratic dystopia and chopped ān screwed sacred music in a manner that resonates with works by James Ferraro, Teresa Winter, Mica Leviās London Sinfonietta cut-ups, and, of course, her longtime spar Klein. It sits well in the Sferic catalogue too, with a gauzily smudged, late night appeal mutual to her labelmates and which resonates the urbane ennui of their wallpaper music for tarnished new builds. In āPattern Damageā, more than ever, we hear Scout pulling extra-musical influences into her arrangements. The freely metered pace and space of theatrical staging and choreography for dance offers a guiding hand to her process. Together with another āmovement artistā-turned-musician Malik Nashad Sharpe aka Darkmarik who appears on scene-setter āForest Spiritā and later in āAlmost Nothingā, and with fellow dancer Kendra Chiagoro-Noel aka NWAKKE chiming into āPassageā - a flip of Allegriās āMiserere Mei Deusā - Scout flits quick, then slow, between passages of febrility and elegance, melancholy and reflection. Bristol's Mun Sing helps out on 'Midnight', a heart-piercing serenade that's led by detuned guitar twangs and Scout's lilting, clipped voice, providing one of the album's most intimate moments, primed for extended play on the back of heavy eyelids.











